Closure

Some day, I will learn that the man who killed my cousin has himself died, and I will be content. I won’t be crass and happy, I won’t march up and down the street to song and celebration. But I will feel (at least for a little while) that the scales are balanced. That there’s closure. That hopefully, in whatever passes for an afterlife, there is justice. The world will be lighter by one monster, one selfish asshole, and that’s worth a small amount of satisfaction.

That’s essentially how I feel about the death of Osama bin Laden. I’m not a jingoist, I’m not a chanter of “USA-USA”, unless (of course) the Olympics are involved. The war on terrorism has been costly in money and costly in lives – American and nonAmerican alike. We must never forget that. There are well reasoned and valid opinions related to every facet of its existence and execution. We shouldn’t forget that either.

But for today, for me, there’s a little bit of closure. I am proud of the President for approving a boots-on-the-ground mission to maximize certainty and minimize collateral damage, I am proud of the Navy SEALs who went in and did the job without sustaining any casualties.

Today the man who ordered the death of thousands of people he never met, for things they did not personally do to him, is dead. The world is lighter one evil mastermind, one fanatic, one colossal asshole.

And I can’t fault anyone for taking satisfaction in that.

History Should Lean Forward

Last night, I was proud to be inducted on to the board of directors for the Pleasant Home Foundation. Located in Oak Park, Pleasant Home is a grand Prairie-Style home designed by George Maher, a contemporary of Frank Lloyd Wright. The Foundation is responsible for the restoration of the building and its operation as an historic house museum. Most visitors to Oak Park who have an eye for architecture naturally gravitate toward ol’ FLW, and understandably so. But it’s important to remember that the village is home to much more than Wright’s work. Indeed, Pleasant Home is a local landmark, was listed on the National Register in 1972, and became a National Historic Landmark in 1996.

Pleasant Home

For me, there are some interesting parallels between this new house museum with which I’m associated and with the one where I work. Sure, Hull House predates Pleasant Home by about 40 years but both, I think, do a good job of illustrating the “embodied history” that give a building its significance over time. In Hull House’s case that embodied history came from the vision and work of Jane Addams and the other settlement reformers. Pleasant Home, as sort of proto-Prairie writ large really provides a grounding and foundation for that architectural movement and makes it easier to read its development over time. Both properties are local landmarks, National Register-listed, and National Historic Landmarks. Both are associated with larger governmental organizations – the University of Illinois in the case of Hull House and the Park District of Oak Park for Pleasant Home. Both seek to interpret the lives of those who lived there, and both recognize that that’s not enough to keep people coming back.

Hull House Museum

In a recent entry on his excellent blog, Vince Michael says that house museums typically make no more than 20 or 25 percent of their operating costs through admissions and tours. In the case of Hull House, we don’t charge admission and with tours we ask for a non-mandatory donation. We’re blessed by the fact that the University covers basic operating expenses: keeping the lights on, providing basic cyclical maintenance, and making sure the staff gets paid. But beyond that, we have raise any other funds we need. And that’s pretty much for anything else: exhibits, programs, renovations, etc. I’ve only been on board for about 12 hours at this point, so I can’t claim to know the financial picture at Pleasant Home, but I wouldn’t be surprised to learn that it’s much the same.

There’s a great push these days to demonstrate the environmental sustainability of historic buildings, but historic house museums are a good example of the fact that historic sites have to be economically sustainable. Vince says, “Creative programming and appropriate income-generation are necessary for all sites.” That’s 100% correct. Whether the income’s generated by admission or by donation, the more people through the door, the further along an historic site will be on the path to sustainability. And you can get a lot of people through the door by having a diverse and engaging suite of programming. I think we do that pretty well here at the Hull House museum, although – yeah – I’m biased. And we think its important that the programming be faithful to the significance of the site. Unasked but always subconsciously present whenever planning an event is the question, “Is this the type of event that Jane Addams would have hosted.” I like to think that we get it right for the most part. In its way, Pleasant Home does it well too. The Farsons (who built the house) had a reputation for throwing large and lavish parties. Today, the house earns income from rental for use as a venue for weddings, parties, etc. The house is also used as a space for lectures on architecture, history, and art. The local historical society has offices and exhibit space on the second floor. I haven’t fleshed out the idea fully yet, but I think there also might be a real opportunity to use the house as an “architectural history lab” and use the design, features, systems, etc. of the house to help explain/provide context for the era in which the house was used. (i.e., being led on an examination of the servants’ spaces to learn more about changes in domestic life over time, looking at the building’s electrical features and learning about what it was like when electrical lighting was the cutting edge.) We do something similar here at the Hull House Museum in our ‘Architectural Encounters’ exhibits and it seems to be working well.

My least favorite kind of historic sites are the ones that seem to exist only because they’re old and offer no other context. If, like me, you’re a sucker and pay the admission anyway, all you find are dusty old rooms that feel more like your grandmother’s little-used guestroom rather than a piece of history come to life.

I’m happy, proud, and energized to be associated with two historic sites that aren’t that at all.

History should lean forward.

Thoughts from Places – My Office Window

If you don’t know who John and Hank Green are, well, you should. On youtube, they’re known as the Vlogbrothers (http://www.youtube.com/user/vlogbrothers) and have been making fun, interesting, silly, and profound videos since ancient times. Which, in youtube terms, is like 3 or 4 years ago.  Anyway, within the last year they started a series called “Thoughts from Places”, which is exactly what it sounds like. Go somewhere, bring along a video camera, and record your impressions. To see some of them, hit the link above and search for ‘thoughts from places vlogbrothers’. I wanted to do my own version, but I’m at work and didn’t have a video camera with me, so here’s my textual attempt…

——————————————-

If you were me – and let’s both  be thankful that you’re not – you would often get sick of staring at your computer screen, and your posted post-its, and your to-do lists and seek momentary mental escape. You’d turn away from that wall of stuff, of have-to’s and commitments, and rotate to your 7 o’clock (Ok, fine! More like 7:30 Let’s not quibble over the details.) and look out the window. This is what you’d see.

Right outside the window is a tree. Magnolia, I think. Or perhaps something particularly magnolia-esque. What do I know? I’m no botanist. The tree stands in the courtyard between the building where my desk is and the other building that makes up our museum, an 1856 Italianate house where we keep all the exhibits. Last year I’d see a lot of squirrels in the branches and they’d sometimes hop onto the window ledge and look into the office as if they wished they could come inside with us. Be careful what you wish for, boys. Here there be responsibilities. This year, though, has been fairly squirrel-lite. I have seen a bright red cardinal a few times. One day he spent a good five minutes tapping away at the windowpane. I’m pretty sure that’s supposed to be a bad omen.

Just past the courtyard is Halsted Street, which Google Maps tells me runs from Grace Street in Wrigleyville for 35 or so miles all the way south to Chicago Heights. On the way there, it passes 196th Street. I didn’t even know the street numbers went that high. In the museum, we have a video from the 1930’s (I think) that shows images of the entire route from south to north. Today it would all be an urban gumbo of residential, commercial, and industrial. Back then there was that, sure, but there was also rural. Like, horse-pulled plow rural. Amazing how much and how fast our cities grow.

Across Halsted from work is the gym. This is one of the “benefits” of working at a large university. The gym is right there! And it’s cheap! And they’ll take my membership fee right out of my paycheck! Pre-tax! But I think we’re in an abusive relationship. And I’m definitely the bad guy. The gym wants nothing but the best for me and usually gives me all it can. And what do I do? I ignore it, curse at it, and often tell it that I wish it didn’t exist. All it wants is love and all I offer is insult. Thirty years from now, the gym will need some serious therapy.

The gym abuts good old Interstate 90/94 which might be called “The Dan Ryan” or “The Edens”. Maybe both? Why can’t Chicago just call its freeways by their number like the rest of the free world? All I know is that that particular stretch of road is never not traffic jammed, I drive on it as little as possible, and I hate it.

But that’s why bridges were invented, because just across that horrible stretch of road rises the great city of Chicago. I use the term “great” here to indicate size, not any kind of emotional connection. Although, that may be coming. I’ve lived here for a year and a half and, I’ll confess, there was a time I was convinced I would never be a fan. But I thought that about Vermont only to wake up one morning and realize that I had fallen in love – hard – for that previously cursed place. Could the same happen here? Maybe it’s happening right now, just at geologically slow speeds. All I know is that I’ll find myself coming around the corner on one of the CTA lines and get a cityscape view I haven’t seen before, or I’ll be walking around downtown and notice some hidden and long forgotten architectural detail, or be running errands and realize what a great variety of various ethnic non-pretentious holes-in-the-wall there are, and I’ll have moments of “Ok, yeah, I get it.” Dominating the view from my office window is, of course, the Sears Tower. And yes, I know it has a different name. Tell you what; I’ll start calling it the Willis Tower just as soon as whatever the Willis Company is does something as awesome as selling khakis, lawnmowers, video games, and Craftsman tools all under one roof. At the top of the tower is the observation level which now features plexiglass pods so you can stand out away from the side of the building and look down 103 floors to the street. I think about that, and I remember being up there, looking out at three states and 10 million people and feeling very small.

Of course, just past the buildings great and small that make up the city is the lake. Lake Michigan. No, I can’t see it from my desk, but I know it’s there. I can feel it. The lake is that unbroken connection between here and there. Yeah, I know we have roads, and trains, and airplanes. But the lake, and the rivers, and the ocean… they were there before all that and they will be there after. The lake makes me feel connected to those that I am far from. Fievel may have found comfort in the pale moonlight, but I find comfort in knowing that the same water I’m next to touches, in some fashion, the waters of my loved ones.

And the window itself? The window is on the second floor of a building built in 1907 as the dining hall for a group of social reformers. They tried to make life better for those less fortunate. Today, we tell their stories and try to work within the spirit of what was started here so many years ago. The window is a reminder that the real work isn’t at my desk at all, but out there. Telling stories, creating context, fostering connections.

Making the world better.

Tree, courtyard, and Chicago. Look, it's the Sears Tower!